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A producer (or director) has to specify the work of designers, scene painters, costumers, and lighting experts. Architects and acousticians will have designed an opera house suited or adaptable to performances that demand a sizable stage a large backstage area to house the scenery a “pit,” or space (often below the level of the stage) to accommodate an orchestra and seating for a reasonably large audience. The composer then sets that libretto to music. Then comes the librettist, who puts the story or play into a form-usually involving poetic verse-that is suitable for musical setting and singing. The first, often unintentional, recruit is likely the writer of the original story.
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The preparation of an opera performance involves the work of many individuals whose total contributions sometimes spread across a century or more. Short men in armour and large ladies in chiffon singing about ancient Egypt don’t make much sense at one level they can…reveal to us the confusions of emotion and loyalty, the nature of power and pity, that could not be so movingly expressed in any other way. In his 1986 autobiography, stage and film director Franco Zeffirelli warned against taking opera too literally: Supporters have seen it as more than the sum of its parts, with the music supporting and intensifying the lyrics and action to create a genre of greater emotional impact than either music or drama could achieve on its own. Its detractors have viewed it as an artificial and irrational art form that defies dramatic verisimilitude. A complex, often costly variety of musico-dramatic entertainment, opera has attracted both supporters and detractors throughout its history and has sometimes been the target of intense criticism. Aside from solo, ensemble, and choral singers onstage and a group of instrumentalists playing offstage, the performers of opera since its inception have often included dancers. It denotes a theatrical work consisting of a dramatic text, or libretto (“booklet”), that has been set to music and staged with scenery, costumes, and movement. The English word opera is an abbreviation of the Italian phrase opera in musica (“work in music”).
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For an overview of opera and operalike traditions in Asia (particularly in China), see the appropriate sections of Chinese music, Japanese music, South Asian arts, and Southeast Asian arts see also short entries on specific forms of Chinese opera, such as chuanqi, jingxi, kunqu, and nanxi. This article focuses on opera in the Western tradition. In some operas the music is continuous throughout an act in others it is broken up into discrete pieces, or “numbers,” separated either by recitative (a dramatic type of singing that approaches speech) or by spoken dialogue. Opera, a staged drama set to music in its entirety, made up of vocal pieces with instrumental accompaniment and usually with orchestral overtures and interludes.
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